Avenue Q opened Three Years ago today.
About the Show:
Avenue Q opened off-Broadway at the Vineyard Theatre in March 2003 (where it won that season's Lucille Lortel Award for Best Musical), and it has been on Broadway at the John Golden Theatre since July 31, 2003. It has risqué songs about racism, Internet porn, and the difficulties of life, and all but three characters are portrayed by puppets. It surprisingly won the 2004 Tony Award for Best Musical as well as Tony Awards for Best Score and Best Book of a Musical, defeating the much bigger-scale, front-runner musical of the season, Wicked.
The music and lyrics are by Robert Lopez and Jeff Marx. The book is by Jeff Whitty. The original production was directed by Jason Moore and choreographed by Ken Roberson. The puppets were designed and constructed by original cast member Rick Lyon.
The show is largely inspired by (and in the style of) PBS's Sesame Street, with several characters that are recognizably parodies of classic Muppet characters. For example, the roommates Rod and Nicky are clearly adult versions of Sesame Street's Bert and Ernie, and Trekkie Monster seems to be based on Cookie Monster. Likewise, many of Avenue Q's musical numbers are in a style associated with classic Sesame Street songs.
Because of its adult content and "full puppet nudity" (including graphic simulated sex between puppets), Avenue Q may be inappropriate for children 12 years of age and under. Additionally, for this reason, the show specifically disclaims any connection to Sesame Workshop or The Jim Henson Company. However, both Marx and Lyon previously worked for Sesame Street, as have the other puppeteers in the original cast. In an interview with The Times, addressing the question of potential conflicts with Henson, Marx claimed, “during early previews in the States we invited Jim Henson's widow and children and they could see that what we were doing was a homage and love letter to Sesame Street.”
A second production of Avenue Q opened on September 8, 2005 in the Broadway Theatre, a $40 million, 1,200 seat venue built to house the production at the Wynn Las Vegas hotel/casino. Instead of touring, Avenue Q signed an exclusive deal with Wynn, but due to poor ticket sales and building conflicts, the production closed on May 28, 2006, to be replaced by Spamalot.
A novelty book featuring the book and lyrics is set to come out on November 1, 2006.
The London Production opened on June 28, 2006.
Plot:
The main character is Princeton has just graduated from college with a B.A. in English. He moves into an apartment in the only neighborhood he can afford, on Avenue Q, where his superintendent is actor Gary Coleman. There, he and his neighbors cope with the struggles of real life, learning that you cannot necessarily count on things turning out as you would like.
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Monday, July 31, 2006
Theater and the Web
I'm so glad to see this post from Terry Teachout, detailing the importance of a good web presence on the web for theater companies.
Previously on Theater and Internet: Technology and Marketing for the Theater & A Chorus Line
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Previously on Theater and Internet: Technology and Marketing for the Theater & A Chorus Line
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
Sweeney to end run September 3
I've been following this show since it was announced. Mostly because I was interested to see how a show that required actor/singer/musicians would work out. Judging by the show making back it's investment in 19 weeks, I would say it worked well for this show. It will be interesting what show will be moving into this theater next.
From Playbill.com:
"Broadway's current revival of Sweeney Todd, The Demon Barber of Fleet Street, will end its run Sept. 3, producers announced late July 30. A national tour is in the works.
By the end of its run, the production will have played 349 performances and 35 previews. The forthcoming national tour is slated for an end-of-summer 2007 start. "
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From Playbill.com:
"Broadway's current revival of Sweeney Todd, The Demon Barber of Fleet Street, will end its run Sept. 3, producers announced late July 30. A national tour is in the works.
By the end of its run, the production will have played 349 performances and 35 previews. The forthcoming national tour is slated for an end-of-summer 2007 start. "
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Chicago Reviews
Several reviews have been posted for Chicago at the Center for Performing Arts at Rhinebeck. I'm really excited about seeing this show, but I won't be going until next Sunday. Previously on Chicago: Interview with Kat & On the Subject of Chicago ... Locally
"Chicago"...In a Little Place Called Rhinebeck from When Escape is Not an Option blog
'Chicago': An Over-Sexed Romp Through the Roaring 20s from tcextra.com
From the Woodstock Times: (Thanks Kat)
"Razzle-dazzling Chicago in Rhinebeck
Up In One Productions has done it again. Directors Diana di Grandi and Laurie Sepe Marder along with a fabulous cast of community players, including a handful of professionals, have mounted a superb production of Bob Fosse's hard-edged, sexy musical, Chicago, at The Center For Performing Arts in Rhinebeck. Last weekend's performances were sold out so reserve your seats soon if you want to catch this high-energy show before it closes August 13th.
Steamy and sardonic, Chicago is a refreshing departure from the traditional family fare usually offered at The Center For Performing Arts. The show, based on Maurine Dallas Watkin's play set in late 1920's Chicago, was Fosse's baby. Not only did the celebrated choreographer direct and choreograph the musical stage version, he also collaborated on the book with Fred Ebb (who wrote the lyrics to John Kander's music). Chicago opened on Broadway in 1975 with Chita Rivera and Gwen Verdon as Velma and Roxie (two murderesses that capitilize on their celebrity status with the press to promote their careers) and Jerry Ohrbach as Billy Flynn (their hotshot lawyer). Nominated for 13 Tony awards in 1976, only the lighting designer actually won. Perhaps Fosse's cynical exploration of society's dark side was ahead of his time.
Since dancing plays such a crucial role in Chicago (this is Fosse after all) I wondered whether the cast and choreographer would be up to the rigorous demands of the show. Generally speaking, it's easier to find talented actors and singers than dancers when casting community theater.
Choreographer Laurie Sepe Marder, who has done such marvelous work in other productions at The Center, pulled out all the stops with Chicago. Recreating Fosse's signature movement style, she has assembled a large troupe of talented attractive singers/dancers - male and female - who not only move well, they actually seem to be enjoying themselves onstage. I particulalry appreciated the tall young woman who danced and sang as one of the murderesses in "Cell Block Tango" and later played Justice in the courtroom scene.
Everyone in the cast does a terrific job. Kat Murello, who looks a lot like Catherine Zeta Jones, plays Velma with a sensuous cool that's intriguing. As Roxie Hart, Elizabeth Thomas is a worthy competitor for the fickle Chicago press's attentions. When the two attractive young women team up - whether it's dancing or engaging in snappy repartee - the energy onstage is electric. David Rodriguez, a local favorite, plays Billy Flynn with all the self satisfied egotism one might expect from a man who never loses a case. Another favorite, Lisa Lynds, gives her role as Matron "Mama" Morton all the bawdy grittiness it deserves. The handsome Christopher Gilbert doubles as Master of Ceremonies and a morphing assortment of jury members. K. Archambault is brilliant, to the point of almost stealing the show, as the sympathetic reporter Mary Sunshine.
Archambault also assisted Marder with choreographing the show. Tony Moran, another CPA regualr, is endearing as Roxie's husband, Amos, bringing a lump to our throats when he sings his haunting solo, "Mr Cellophane.
Chicago is presented within the framework of a cabaret act, with the MC introducing each scene as though it were a seperate musical number. There's as much singing as dancing in Chicago, in fact the performers are usually doing both. Paul Schubert, who serves as music director/conductor, is an old hand at The Center. To his credit, all the singers and the seven-piece band, which is featured center stage throughout the show, are excellent. Andrew Weintraub's set and light design focuses on red and black - dramatic colors that heighten the dark sexuality of the material. The simple set, with its tiers along side and above the band and its easily moveable parts, is versatile, effective, and visually satisfying. Natalie Lunn's provocative costume designs capture the flapper spirit of the late 20's, echoing Weintraub's color scheme until the final sequence, when Velma and Roxie, declared innocent by a bamboozled courtroom, perform their final song and dance sequence dressed in white.
Even if you've recently seen the film, you'll want to catch Up In One's exciting stage version of Chicago at The Center For Performing Arts In Rhinebeck Performances are Thursdays, Fridays, and Saturdays at 8pm; and Sundays at 3pm, through August 13. Tickets are $22 adults; $20 seniors and children. Call the box office at 845-876-3080 for tickets and information. Or visit the website at http://www.centerforperformingarts.org/"
as reviewed by Rebecca Daniels from the periodical Woodstock Times
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"Chicago"...In a Little Place Called Rhinebeck from When Escape is Not an Option blog
'Chicago': An Over-Sexed Romp Through the Roaring 20s from tcextra.com
From the Woodstock Times: (Thanks Kat)
"Razzle-dazzling Chicago in Rhinebeck
Up In One Productions has done it again. Directors Diana di Grandi and Laurie Sepe Marder along with a fabulous cast of community players, including a handful of professionals, have mounted a superb production of Bob Fosse's hard-edged, sexy musical, Chicago, at The Center For Performing Arts in Rhinebeck. Last weekend's performances were sold out so reserve your seats soon if you want to catch this high-energy show before it closes August 13th.
Steamy and sardonic, Chicago is a refreshing departure from the traditional family fare usually offered at The Center For Performing Arts. The show, based on Maurine Dallas Watkin's play set in late 1920's Chicago, was Fosse's baby. Not only did the celebrated choreographer direct and choreograph the musical stage version, he also collaborated on the book with Fred Ebb (who wrote the lyrics to John Kander's music). Chicago opened on Broadway in 1975 with Chita Rivera and Gwen Verdon as Velma and Roxie (two murderesses that capitilize on their celebrity status with the press to promote their careers) and Jerry Ohrbach as Billy Flynn (their hotshot lawyer). Nominated for 13 Tony awards in 1976, only the lighting designer actually won. Perhaps Fosse's cynical exploration of society's dark side was ahead of his time.
Since dancing plays such a crucial role in Chicago (this is Fosse after all) I wondered whether the cast and choreographer would be up to the rigorous demands of the show. Generally speaking, it's easier to find talented actors and singers than dancers when casting community theater.
Choreographer Laurie Sepe Marder, who has done such marvelous work in other productions at The Center, pulled out all the stops with Chicago. Recreating Fosse's signature movement style, she has assembled a large troupe of talented attractive singers/dancers - male and female - who not only move well, they actually seem to be enjoying themselves onstage. I particulalry appreciated the tall young woman who danced and sang as one of the murderesses in "Cell Block Tango" and later played Justice in the courtroom scene.
Everyone in the cast does a terrific job. Kat Murello, who looks a lot like Catherine Zeta Jones, plays Velma with a sensuous cool that's intriguing. As Roxie Hart, Elizabeth Thomas is a worthy competitor for the fickle Chicago press's attentions. When the two attractive young women team up - whether it's dancing or engaging in snappy repartee - the energy onstage is electric. David Rodriguez, a local favorite, plays Billy Flynn with all the self satisfied egotism one might expect from a man who never loses a case. Another favorite, Lisa Lynds, gives her role as Matron "Mama" Morton all the bawdy grittiness it deserves. The handsome Christopher Gilbert doubles as Master of Ceremonies and a morphing assortment of jury members. K. Archambault is brilliant, to the point of almost stealing the show, as the sympathetic reporter Mary Sunshine.
Archambault also assisted Marder with choreographing the show. Tony Moran, another CPA regualr, is endearing as Roxie's husband, Amos, bringing a lump to our throats when he sings his haunting solo, "Mr Cellophane.
Chicago is presented within the framework of a cabaret act, with the MC introducing each scene as though it were a seperate musical number. There's as much singing as dancing in Chicago, in fact the performers are usually doing both. Paul Schubert, who serves as music director/conductor, is an old hand at The Center. To his credit, all the singers and the seven-piece band, which is featured center stage throughout the show, are excellent. Andrew Weintraub's set and light design focuses on red and black - dramatic colors that heighten the dark sexuality of the material. The simple set, with its tiers along side and above the band and its easily moveable parts, is versatile, effective, and visually satisfying. Natalie Lunn's provocative costume designs capture the flapper spirit of the late 20's, echoing Weintraub's color scheme until the final sequence, when Velma and Roxie, declared innocent by a bamboozled courtroom, perform their final song and dance sequence dressed in white.
Even if you've recently seen the film, you'll want to catch Up In One's exciting stage version of Chicago at The Center For Performing Arts In Rhinebeck Performances are Thursdays, Fridays, and Saturdays at 8pm; and Sundays at 3pm, through August 13. Tickets are $22 adults; $20 seniors and children. Call the box office at 845-876-3080 for tickets and information. Or visit the website at http://www.centerforperformingarts.org/"
as reviewed by Rebecca Daniels from the periodical Woodstock Times
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Sunday, July 30, 2006
Reality TV comes to the Theater
I've never been able to jump on the Reality TV band wagon. So I am a bit apprehensive about this new show. As you may know Sound of Music is scheduled to be opening in the west end, and to select a Maria they are turning to a reality show.
"The newest reality show, "How Do You Solve a Problem Like Maria?," begins its run on BBC-1 July 29 at 6:50 PM.
Hosted by Graham Norton, the series hopes to find an actress to play the lead role of Maria von Trapp in the forthcoming West End revival of the classic Rodgers and Hammerstein musical. Composer Andrew Lloyd Webber and producer David Ian are co-producing the upcoming revival, and both are involved in the new television series." from playbill.com
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"The newest reality show, "How Do You Solve a Problem Like Maria?," begins its run on BBC-1 July 29 at 6:50 PM.
Hosted by Graham Norton, the series hopes to find an actress to play the lead role of Maria von Trapp in the forthcoming West End revival of the classic Rodgers and Hammerstein musical. Composer Andrew Lloyd Webber and producer David Ian are co-producing the upcoming revival, and both are involved in the new television series." from playbill.com
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Interview with Kat
Kat Murello has joined me for a discussion about her most recent community theater project on Thursday July 27, 2006. She's playing Velma Kelly in Up in One Productions Chicago which opened Friday, July 21 at the Center for Performing Arts at Rhinebeck. The show will continue to run Thursday, Friday and Saturday at 8:00 PM and Sunday at 3:00 PM through August 13, 2006.
Erica: So tell me a little about your background as it pertains to theater ...
Kat: My first stage performance was in Kindergarten. I was definitely bitten by the acting bug, at that time as ridiculous as it sounds. Then I did theater in school, I did local theater, community theater, so I was always doing at least one show at all times. I finally got back into theater with Guys and Dolls.
Erica: So you discovered theater at an early age. Do you remember your first Broadway show?
Kat: Oh! I think it was Annie ... I can't really remember, to be honest with you, because we went a lot. My family was very involved with the arts, so that time period we went to so many different shows, I couldn't really tell you which one was first. But, I remember seeing Annie and being very affected by it, because the girls in it were my age. It was like, if they can do it, I can do it too. It was probably the most inspiring show I saw as a kid.
Erica: So do you have a favorite show?
Kat: My Favorite show of all time is Chicago, so I've been really lucky. My other favorite is Into the Woods, and we just did that over the winter. So this has been a big year for me, getting to do both of those shows in the same year has been a big dream for me.
Erica: Then I suppose there was no question you'd audition for Chicago. What made you decide to audition?
Kat: There was no question in my mind, at all, about auditioning. I don't know if you remember, but back when we did Guys and Dolls, I was obsessed with Chicago and I told Laurie and Diana, 'Please do Chicago' because with Laurie's choreography there was no question they could pull it off. So I didn't think they were going to do it, but then back in September I had heard, through the grapevine, that they were going to do it. From the minute I heard it, I knew that nobody was going to be getting the part of Velma but me, because I was going to fight tooth and nail for that part. So when I heard they were going to do it, I started rehearsing. I practiced the songs, worked on strengthening my voice, saw it on Broadway again, all so I could be really prepared for the audition when it came.
Erica: So you must have been thrilled when you heard you got the part.
Kat: It was pretty awesome – the following day, after auditions, I was working on a Catherine Zeta Jones movie, and you know she played Velma in the movie, so I have to leave for work at four in the morning, so I went on line and checked my email before leaving for work, and there was an email offering me the part. So it was four in the morning, and I was all by myself ... I got to really let it all soak in, and then go to a set where Catherine Zeta Jones was walking around all day. I was over the moon, definitely over the moon.
Erica: I was going to ask you about preparing for the role, but we already covered that, you started early and,worked hard.
Kat: I did, and I happened to have a copy of the script, so I looked through the script and tried to figure out what they would use for readings, and I tried to memorize those parts. I was pretty prepared. I had all the Velma lines committed before we started rehearsals. I was working in the Hamptons and I didn't really have anything better to do, so I completely submerged myself in the script. Every night in my hotel room I would go over the lines, go over the singing. So when I came back, our rehearsals had started – I was ready.
Erica: Do you think it's harder, more intimidating tperformrm in such a well known show? Do you think there's a high level of expectation that the audience comes in with?
Kat: I think the only problem with this one [this production] is that people know the show on Broadway or they know the movie, and they're both completely different from one another. There's songs in the Movie that aren't on Broadway, and vice versa. There are scenes that are different in the original script then the revival, which is the show that is currently on Broadway.
What we are doing is the Original Broadway script and incorporating a lot of the stuff that is in the movie as well as stuff that is in the revival on Broadway. So if people are going expecting the see the movie, they're going to be disappointed in some ways and if people are expecting to see just that vaudeville stuff that's on Broadway, it's going to be a combination of those things. I think we're mixing all of it very well.
Erica: I'm certainly looking forward to seeing it.
Kat: Yeah, I really can't wait for you to see it. It's such a great show, there's always so much going on. Wait till you see 'He had it coming' for me, that's the ultimate show stopper. It's very powerful, I think you'll really like it.
Erica: Getting away from the show for a moment, what do you think of the Community Theater experience in this area? Its strengths, weaknesses or just your feelings on the subject ...
Kat: I think more people should come out and audition, there's so many great shows going on here. People don't really understand how much work goes into putting on a show. We've got people in Chicago who have never done a show before, it's really eye opening for them. I think people enjoy theater more if they participate. There seems to be this resurgence of people going to see art on a regular basis. I think that is so important, it's such a great way to express yourself.
Erica: ... and it's so scary how many people don't realize how much we have, right here in the Hudson Valley. You don't have to go to New York City, certainly it's great to go, but you can find really good 'off off off' Broadway productions up here.
Kat: I think there is Broadway caliber talent up here, and Broadway caliber presentations put on, certainly at the [Rhinebeck] Center. I haven't see too many other local productions, but I know at our theater there are people who are incredible. In the staging, and the sets, and the costuming and the concepts going into these shows ... a lot of talent. When people go to see shows at the Center, and they haven't been there before, they are really blown away. They have no idea what goes on in that big Red Barn, and then when they see it, they are just shocked.
Erica: It certainly is professional grade in many respects. I usually recommend almost every show I go to see there, because the quality, for community theater, is very high. There's some very talented people involved ...
Kat: and inspired people, passionate people ... and that I think, is for me what makes it ... when I go to see shows I am often brought to tears, I know what it takes to make these shows happen, I really appreciate what these people are doing, what they are giving. I saw Oklahoma there last year, I cannot stand the show but at that performance, I was blown away ... I completely enjoyed it because the people were so into the show and they were so passionate, and the performances were so strong and the sets! It was just so good!
Erica: Are there any future plans you'd like to mention? Like to share ....
Kat: Let's see, I'm doing stand in on a new show that's coming out on NBC for a very well known actress, and I'm very proud of that ... I'm considering auditioning for a touring company maybe in the winter, after the show wraps for the season It's something I've always wanted to do. I have a few auditions for some independent films, I have some films that I've got some featured stuff in ... so I'm excited about that.
Erica: Getting back to Chicago ... What do you think sets this production apart?
Kat: Oh my gosh ... Passion. Every single person in this cast wants to be in this cast ... badly, and that passion that fire comes out in every performance. It was there in every rehearsal. The cast is just so into the show, believing in the dancing and the music and the style. I think from the very first second a person appears on stage you can feel it, as an audience member. You can feel it and it carries you through the whole thing. There is such passion from this cast, there are no dead moments, no parts that are slow, it goes by so quickly because everyone has so much energy and you become so completely engaged. You don't always get that with a cast.
Erica: What advice would you give to people who dream of becoming an actor?
Kat: I really only started focusing on becoming an actor two years ago, and it's really remembering your passion, remembering why you want to do it, and really focusing on a goal. Maybe it's a bunch of little goals, maybe it's a big goal, but you really need to stay focused ... be driven. Submerge yourself in the arts ... you should be constantly reading scripts and watching movies that are different that what you're used to, go to see shows ... and surrounding yourself with people who are passionate like you are. Try new things, pick up new hobbies and interests because you never know when those things might apply to you as an actor. Traveling is really important, meeting new people ... and honestly no acting job is too small. I know it's so cliche, but it's so true. The is no small part, it's all about what you put into it, and every part counts. So even if you get offered something small you should take it because you never know what's going to happen.
This interview has been edited for clarity. Thanks to Kat for generously making time in her busy schedule to talk to me. Thanks also to all those amazing, talented people that make community theater in the mid hudson valley happen. I'll be going to see Chicago August 6th and I will write a review of the show shortly after that. http://mhvtheater.blogspot.com/
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Erica: So tell me a little about your background as it pertains to theater ...
Kat: My first stage performance was in Kindergarten. I was definitely bitten by the acting bug, at that time as ridiculous as it sounds. Then I did theater in school, I did local theater, community theater, so I was always doing at least one show at all times. I finally got back into theater with Guys and Dolls.
Erica: So you discovered theater at an early age. Do you remember your first Broadway show?
Kat: Oh! I think it was Annie ... I can't really remember, to be honest with you, because we went a lot. My family was very involved with the arts, so that time period we went to so many different shows, I couldn't really tell you which one was first. But, I remember seeing Annie and being very affected by it, because the girls in it were my age. It was like, if they can do it, I can do it too. It was probably the most inspiring show I saw as a kid.
Erica: So do you have a favorite show?
Kat: My Favorite show of all time is Chicago, so I've been really lucky. My other favorite is Into the Woods, and we just did that over the winter. So this has been a big year for me, getting to do both of those shows in the same year has been a big dream for me.
Erica: Then I suppose there was no question you'd audition for Chicago. What made you decide to audition?
Kat: There was no question in my mind, at all, about auditioning. I don't know if you remember, but back when we did Guys and Dolls, I was obsessed with Chicago and I told Laurie and Diana, 'Please do Chicago' because with Laurie's choreography there was no question they could pull it off. So I didn't think they were going to do it, but then back in September I had heard, through the grapevine, that they were going to do it. From the minute I heard it, I knew that nobody was going to be getting the part of Velma but me, because I was going to fight tooth and nail for that part. So when I heard they were going to do it, I started rehearsing. I practiced the songs, worked on strengthening my voice, saw it on Broadway again, all so I could be really prepared for the audition when it came.
Erica: So you must have been thrilled when you heard you got the part.
Kat: It was pretty awesome – the following day, after auditions, I was working on a Catherine Zeta Jones movie, and you know she played Velma in the movie, so I have to leave for work at four in the morning, so I went on line and checked my email before leaving for work, and there was an email offering me the part. So it was four in the morning, and I was all by myself ... I got to really let it all soak in, and then go to a set where Catherine Zeta Jones was walking around all day. I was over the moon, definitely over the moon.
Erica: I was going to ask you about preparing for the role, but we already covered that, you started early and,worked hard.
Kat: I did, and I happened to have a copy of the script, so I looked through the script and tried to figure out what they would use for readings, and I tried to memorize those parts. I was pretty prepared. I had all the Velma lines committed before we started rehearsals. I was working in the Hamptons and I didn't really have anything better to do, so I completely submerged myself in the script. Every night in my hotel room I would go over the lines, go over the singing. So when I came back, our rehearsals had started – I was ready.
Erica: Do you think it's harder, more intimidating tperformrm in such a well known show? Do you think there's a high level of expectation that the audience comes in with?
Kat: I think the only problem with this one [this production] is that people know the show on Broadway or they know the movie, and they're both completely different from one another. There's songs in the Movie that aren't on Broadway, and vice versa. There are scenes that are different in the original script then the revival, which is the show that is currently on Broadway.
What we are doing is the Original Broadway script and incorporating a lot of the stuff that is in the movie as well as stuff that is in the revival on Broadway. So if people are going expecting the see the movie, they're going to be disappointed in some ways and if people are expecting to see just that vaudeville stuff that's on Broadway, it's going to be a combination of those things. I think we're mixing all of it very well.
Erica: I'm certainly looking forward to seeing it.
Kat: Yeah, I really can't wait for you to see it. It's such a great show, there's always so much going on. Wait till you see 'He had it coming' for me, that's the ultimate show stopper. It's very powerful, I think you'll really like it.
Erica: Getting away from the show for a moment, what do you think of the Community Theater experience in this area? Its strengths, weaknesses or just your feelings on the subject ...
Kat: I think more people should come out and audition, there's so many great shows going on here. People don't really understand how much work goes into putting on a show. We've got people in Chicago who have never done a show before, it's really eye opening for them. I think people enjoy theater more if they participate. There seems to be this resurgence of people going to see art on a regular basis. I think that is so important, it's such a great way to express yourself.
Erica: ... and it's so scary how many people don't realize how much we have, right here in the Hudson Valley. You don't have to go to New York City, certainly it's great to go, but you can find really good 'off off off' Broadway productions up here.
Kat: I think there is Broadway caliber talent up here, and Broadway caliber presentations put on, certainly at the [Rhinebeck] Center. I haven't see too many other local productions, but I know at our theater there are people who are incredible. In the staging, and the sets, and the costuming and the concepts going into these shows ... a lot of talent. When people go to see shows at the Center, and they haven't been there before, they are really blown away. They have no idea what goes on in that big Red Barn, and then when they see it, they are just shocked.
Erica: It certainly is professional grade in many respects. I usually recommend almost every show I go to see there, because the quality, for community theater, is very high. There's some very talented people involved ...
Kat: and inspired people, passionate people ... and that I think, is for me what makes it ... when I go to see shows I am often brought to tears, I know what it takes to make these shows happen, I really appreciate what these people are doing, what they are giving. I saw Oklahoma there last year, I cannot stand the show but at that performance, I was blown away ... I completely enjoyed it because the people were so into the show and they were so passionate, and the performances were so strong and the sets! It was just so good!
Erica: Are there any future plans you'd like to mention? Like to share ....
Kat: Let's see, I'm doing stand in on a new show that's coming out on NBC for a very well known actress, and I'm very proud of that ... I'm considering auditioning for a touring company maybe in the winter, after the show wraps for the season It's something I've always wanted to do. I have a few auditions for some independent films, I have some films that I've got some featured stuff in ... so I'm excited about that.
Erica: Getting back to Chicago ... What do you think sets this production apart?
Kat: Oh my gosh ... Passion. Every single person in this cast wants to be in this cast ... badly, and that passion that fire comes out in every performance. It was there in every rehearsal. The cast is just so into the show, believing in the dancing and the music and the style. I think from the very first second a person appears on stage you can feel it, as an audience member. You can feel it and it carries you through the whole thing. There is such passion from this cast, there are no dead moments, no parts that are slow, it goes by so quickly because everyone has so much energy and you become so completely engaged. You don't always get that with a cast.
Erica: What advice would you give to people who dream of becoming an actor?
Kat: I really only started focusing on becoming an actor two years ago, and it's really remembering your passion, remembering why you want to do it, and really focusing on a goal. Maybe it's a bunch of little goals, maybe it's a big goal, but you really need to stay focused ... be driven. Submerge yourself in the arts ... you should be constantly reading scripts and watching movies that are different that what you're used to, go to see shows ... and surrounding yourself with people who are passionate like you are. Try new things, pick up new hobbies and interests because you never know when those things might apply to you as an actor. Traveling is really important, meeting new people ... and honestly no acting job is too small. I know it's so cliche, but it's so true. The is no small part, it's all about what you put into it, and every part counts. So even if you get offered something small you should take it because you never know what's going to happen.
This interview has been edited for clarity. Thanks to Kat for generously making time in her busy schedule to talk to me. Thanks also to all those amazing, talented people that make community theater in the mid hudson valley happen. I'll be going to see Chicago August 6th and I will write a review of the show shortly after that. http://mhvtheater.blogspot.com/
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Saturday, July 29, 2006
Time to get Prepared for Fall Auditions
There are a lot of local theater companies running shows this fall. The auditions for fall shows start next weekend, so start preparing a song, and find a show that strikes your fancy. It's a great time to become involved with community theater.
TrueNorth Theatre Project
Deadline: Oct. 15
One-act river- related play entries accepted for the first annual River Play festival with the TrueNorth Theatre Project and The Beacon Institute for Rivers and Estuaries.
------------------------------------------------
Rumors
August 2, 8 at 7:30 PM
Brewster Theatre Company
Brewster Library
79 Main Street
Brewster, NY
Directed by: Brian DeToma
Casting: 5 Men, 5 Women (mid-twenties through 50's)
Synopsis: Frantic comedy follows when guests at a party get into a misunderstanding about their hosts.
For more information
------------------------------------------------
William Shakespeare's Hamlet
August 6 at 7:00 PM
August 8 at 7:00 PM
Up In One Productions
The Center for Performing Arts in Rhinebeck
Rhinebeck, NY
For Further Information Call: (845) 876 - 5348
Directed by: Lou Trapani
Produced by: Diana di Grandi
Production Dates: October 26 - November 5, Fridays through Sundays. There will be 2 to 4 weekday, morning performances during the run for area schools.
Casting: All roles open
Synopsis: Please prepare a one -minute monologue from a Shakespearean Tragedy or History
------------------------------------------------
Oliver!
August 5 at 1:00 PM
August 6 at 7:00 PM
Callbacks August 7 at 7:00 PM
Rhinebeck Theater Society
The Center for Performing Arts in Rhinebeck
Rhinebeck, NY
Directed by: Herman Sebek
Produced by: Rich Hack & David Forman
Production Dates: October 6 - October 22, Fridays through Sundays.
Casting: All roles open
Synopsis: Please prepare a song an accompanist will be provided. Also be prepared to dance. Readings will be from the script.
------------------------------------------------
The Mikado
August 26 at 2:00 PM
August 27, 28 at 7:00 PM
Gilbert & Sulivan Musical Theater Company
First Presbyterian Church
100 Cannon Street (at So. Hamilton Street)
Poughkeepsie, New York
Directed by: Nancy Sans
: Laura Ramsey Russell
Production Dates: November 10 - 25, Fridays through Sundays
Casting: All principal roles Open:
The Mikado (Baritone)
Nanki-Poo (Tenor)
Ko-Ko (Patter Baritone)
Pooh-Bah (Baritone/Tenor)
Pish-Tush (Baritone/Tenor)
Yum-Yum (Soprano)
Pitti-Sing (Soprano)
Peep-Bo (Alto)
Katisha (Mezzo Soprano)
We will also be auditioning a large chorus of gentlemen and ladies of Japan.
Synopsis: Those auditioning for a principal role should prepare a song from the show. Those interested in the chorus may sing any song. For further information call Marlene at 845-658-9813
------------------------------------------------
Joseph and the Amazing Technicolor Dreamcoat
August 27, 28, 2006 at 7:00 PM
County Players
County Players Falls Theatre
2681 W. Main St
Wappingers Falls, NY
Directed by: Tom Lawrence
------------------------------------------------
Bells Are Ringing
September 5, 7, 8 2006 at 7:00 PM
Coach House Players
Coach House
12 Augusta Street
Kingston, NY
Call: (845) 331-2476
Production Dates: November 3 - 12 Friday, Saturday and Sundays
Casting: Cast includes Actors/Singers/Dancers
Synopsis: Ella Peterson is a telephone operator who enjoys giving out advice to her clients. Jeff Moss is a client with a writing block, and Ella, even though he doesn't know who she really is (she always pretends to be "mom" on the telephone) she arranges to meet with him. They sing and dance in the subway, entertain New Yorkers in Central Park, and eventually, fall in love.
------------------------------------------------
Baker's Wife
September 10, 2006
The Fourth Wall Productions
Cunneen-Hackett Arts Center
12 Vassar Street
Poughkeepsie, NY
------------------------------------------------
Best of Broadway: A Night at the Tonys (Musical Review)
Sunday, Sept. 10 at 7:00 PM
The Center Studio
The Center for Performing Arts in Rhinebeck
Rhinebeck, NY
For Further Information Call: (845) 876 - 5348
Produced by: Diana di Grandi
Directed by: Kevin Archambault
Production Dates: Nov. 29 - Dec. 3
Casting: Singers and dancers for a musical revue of Tony Award-Winning shows, featuring songs of Rodgers & Hammerstein, Cole Porter, Lerner & Loewe, Irving Berlin, Jerry Herman, etc.
Synopsis: Please prepare a song from a Broadway show. Bring a copy your sheet music.
------------------------------------------------
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
TrueNorth Theatre Project
Deadline: Oct. 15
One-act river- related play entries accepted for the first annual River Play festival with the TrueNorth Theatre Project and The Beacon Institute for Rivers and Estuaries.
------------------------------------------------
Rumors
August 2, 8 at 7:30 PM
Brewster Theatre Company
Brewster Library
79 Main Street
Brewster, NY
Directed by: Brian DeToma
Casting: 5 Men, 5 Women (mid-twenties through 50's)
Synopsis: Frantic comedy follows when guests at a party get into a misunderstanding about their hosts.
For more information
------------------------------------------------
William Shakespeare's Hamlet
August 6 at 7:00 PM
August 8 at 7:00 PM
Up In One Productions
The Center for Performing Arts in Rhinebeck
Rhinebeck, NY
For Further Information Call: (845) 876 - 5348
Directed by: Lou Trapani
Produced by: Diana di Grandi
Production Dates: October 26 - November 5, Fridays through Sundays. There will be 2 to 4 weekday, morning performances during the run for area schools.
Casting: All roles open
Synopsis: Please prepare a one -minute monologue from a Shakespearean Tragedy or History
------------------------------------------------
Oliver!
August 5 at 1:00 PM
August 6 at 7:00 PM
Callbacks August 7 at 7:00 PM
Rhinebeck Theater Society
The Center for Performing Arts in Rhinebeck
Rhinebeck, NY
Directed by: Herman Sebek
Produced by: Rich Hack & David Forman
Production Dates: October 6 - October 22, Fridays through Sundays.
Casting: All roles open
Synopsis: Please prepare a song an accompanist will be provided. Also be prepared to dance. Readings will be from the script.
------------------------------------------------
The Mikado
August 26 at 2:00 PM
August 27, 28 at 7:00 PM
Gilbert & Sulivan Musical Theater Company
First Presbyterian Church
100 Cannon Street (at So. Hamilton Street)
Poughkeepsie, New York
Directed by: Nancy Sans
Production Dates: November 10 - 25, Fridays through Sundays
Casting: All principal roles Open:
The Mikado (Baritone)
Nanki-Poo (Tenor)
Ko-Ko (Patter Baritone)
Pooh-Bah (Baritone/Tenor)
Pish-Tush (Baritone/Tenor)
Yum-Yum (Soprano)
Pitti-Sing (Soprano)
Peep-Bo (Alto)
Katisha (Mezzo Soprano)
We will also be auditioning a large chorus of gentlemen and ladies of Japan.
Synopsis: Those auditioning for a principal role should prepare a song from the show. Those interested in the chorus may sing any song. For further information call Marlene at 845-658-9813
------------------------------------------------
Joseph and the Amazing Technicolor Dreamcoat
August 27, 28, 2006 at 7:00 PM
County Players
County Players Falls Theatre
2681 W. Main St
Wappingers Falls, NY
Directed by: Tom Lawrence
------------------------------------------------
Bells Are Ringing
September 5, 7, 8 2006 at 7:00 PM
Coach House Players
Coach House
12 Augusta Street
Kingston, NY
Call: (845) 331-2476
Production Dates: November 3 - 12 Friday, Saturday and Sundays
Casting: Cast includes Actors/Singers/Dancers
Synopsis: Ella Peterson is a telephone operator who enjoys giving out advice to her clients. Jeff Moss is a client with a writing block, and Ella, even though he doesn't know who she really is (she always pretends to be "mom" on the telephone) she arranges to meet with him. They sing and dance in the subway, entertain New Yorkers in Central Park, and eventually, fall in love.
------------------------------------------------
Baker's Wife
September 10, 2006
The Fourth Wall Productions
Cunneen-Hackett Arts Center
12 Vassar Street
Poughkeepsie, NY
------------------------------------------------
Best of Broadway: A Night at the Tonys (Musical Review)
Sunday, Sept. 10 at 7:00 PM
The Center Studio
The Center for Performing Arts in Rhinebeck
Rhinebeck, NY
For Further Information Call: (845) 876 - 5348
Produced by: Diana di Grandi
Directed by: Kevin Archambault
Production Dates: Nov. 29 - Dec. 3
Casting: Singers and dancers for a musical revue of Tony Award-Winning shows, featuring songs of Rodgers & Hammerstein, Cole Porter, Lerner & Loewe, Irving Berlin, Jerry Herman, etc.
Synopsis: Please prepare a song from a Broadway show. Bring a copy your sheet music.
------------------------------------------------
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Friday, July 28, 2006
Chicago Revival turns 10 in November!
Ten years. I can't believe it's been ten years that the Chicago revival has been running on Broadway. I saw it for the first time in 1998. I adore this show. It sounds so exciting, the stars that originated the roles in the revival, including Ann Reinking, Bebe Neuwirth, James Naughton, Joel Grey and Marcia Lewis are coming back to celebrate that show's decade on Broadway.
from Playbill.com "It has been confirmed that a special performance of the Kander and Ebb hit will be held Nov. 14 at 6:30 PM at the Ambassador Theatre to celebrate the show's tenth anniversary. In addition to the aforementioned performers, the evening will also feature several Chicago alumni who have been part of the cast since it opened on Broadway in November 1996."
Recent posts on Chicago: On the Subject of Chicago ... Locally, More changes in the NYC Cast for Chicago, Usher joining Chicago Cast
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
from Playbill.com "It has been confirmed that a special performance of the Kander and Ebb hit will be held Nov. 14 at 6:30 PM at the Ambassador Theatre to celebrate the show's tenth anniversary. In addition to the aforementioned performers, the evening will also feature several Chicago alumni who have been part of the cast since it opened on Broadway in November 1996."
Recent posts on Chicago: On the Subject of Chicago ... Locally, More changes in the NYC Cast for Chicago, Usher joining Chicago Cast
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
Harry Potter treads the boards?
The boy next door is all grown up I guess ...
From Playbill.com:
"Harry Potter" actor Daniel Radcliffe is to take on his first leading role in the West End next year in a revival of Peter Shaffer’s Equus. No venue for the Thea Sharrock-directed production has been confirmed, but previews are reportedly due to start Feb. 16, 2007. opening Feb. 27.
Joining Radcliffe in the production will be the Tony-winning star of The History Boys, Richard Griffiths, who also appeared with Radcliffe in one of the “Harry Potter” movies.
Equus producers David Pugh and Dafydd Rogers gave Radcliffe his first role in the West End as the celebrity guest in The Play What I Wrote. Shaffer’s play will make new demands of the 17-year-old actor. As Strang, Radcliffe will perform a sexual act while riding naked on a horse.
About the show:
The show was originally staged by the National Theatre at the Old Vic in London in 1973. It was directed by John Dexter, and starred Alec McCowen as psychiatrist Martin Dysart and Peter Firth as Alan Strang, the patient. It was subsequently presented on Broadway at the Plymouth Theatre with Anthony Hopkins and Peter Firth. Later, Tom Hulce played the role of Alan Strang and Anthony Perkins replaced Hopkins as Martin Dysart. Perkins was briefly replaced by Richard Burton for the star's return to Broadway for a limited run. Perkins resumed the part when Burton's run ended. The play received a Tony Award for best play in 1975.
The Synopsis:
Shaffer was inspired to write Equus when he heard of a crime involving a teenage boy's apparently senseless injury to horses. He set out to construct a fictional account of what might have caused the incident, without knowing any of the details of the crime. The play is essentially a detective story, with the psychiatrist trying to understand the cause of the boy's actions while wrestling with his own sense of purpose. Shaffer based the play on a true story told to him by a friend.
Other takes on Harry Potter from fellow bloggers: Playgoer & Steve On Broadway
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
From Playbill.com:
"Harry Potter" actor Daniel Radcliffe is to take on his first leading role in the West End next year in a revival of Peter Shaffer’s Equus. No venue for the Thea Sharrock-directed production has been confirmed, but previews are reportedly due to start Feb. 16, 2007. opening Feb. 27.
Joining Radcliffe in the production will be the Tony-winning star of The History Boys, Richard Griffiths, who also appeared with Radcliffe in one of the “Harry Potter” movies.
Equus producers David Pugh and Dafydd Rogers gave Radcliffe his first role in the West End as the celebrity guest in The Play What I Wrote. Shaffer’s play will make new demands of the 17-year-old actor. As Strang, Radcliffe will perform a sexual act while riding naked on a horse.
About the show:
The show was originally staged by the National Theatre at the Old Vic in London in 1973. It was directed by John Dexter, and starred Alec McCowen as psychiatrist Martin Dysart and Peter Firth as Alan Strang, the patient. It was subsequently presented on Broadway at the Plymouth Theatre with Anthony Hopkins and Peter Firth. Later, Tom Hulce played the role of Alan Strang and Anthony Perkins replaced Hopkins as Martin Dysart. Perkins was briefly replaced by Richard Burton for the star's return to Broadway for a limited run. Perkins resumed the part when Burton's run ended. The play received a Tony Award for best play in 1975.
The Synopsis:
Shaffer was inspired to write Equus when he heard of a crime involving a teenage boy's apparently senseless injury to horses. He set out to construct a fictional account of what might have caused the incident, without knowing any of the details of the crime. The play is essentially a detective story, with the psychiatrist trying to understand the cause of the boy's actions while wrestling with his own sense of purpose. Shaffer based the play on a true story told to him by a friend.
Other takes on Harry Potter from fellow bloggers: Playgoer & Steve On Broadway
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
Google the Musical?
Yes you read the title correctly.
Google: the Musical will be August 4 -13 (Various days/times) at the Rarig Center on the University of Minnesota Twin Cities campus.
Synopsis:
Google is taking over the world - one thought at a time. An entirely original darkly-comedic electronic musical. Librarians, DJs and zombies - it's a brave new world. This fable about the dangers of information ubiguity will make you laugh, cry and run home to your Internet.
I am so intrigued... I wish I was traveling anywhere near Minneapolis in August. If anyone goes, let me know how it is. Or write a review, and I'd be happy to link to or post it.
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
Google: the Musical will be August 4 -13 (Various days/times) at the Rarig Center on the University of Minnesota Twin Cities campus.
Synopsis:
Google is taking over the world - one thought at a time. An entirely original darkly-comedic electronic musical. Librarians, DJs and zombies - it's a brave new world. This fable about the dangers of information ubiguity will make you laugh, cry and run home to your Internet.
I am so intrigued... I wish I was traveling anywhere near Minneapolis in August. If anyone goes, let me know how it is. Or write a review, and I'd be happy to link to or post it.
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
Wednesday, July 26, 2006
On Stage in the Mid Hudson Valley this weekend
Seussical
July 27, 28, 29, 2006 at 7:30 PM
July 29, 2006 at 2:00 PM
Pawling Theatre Company
Pawling High School
Reservoir Rd.
Pawling, NY
Chicago
July 21, 22, 27, 28, 29, August 3, 4, 5, 10, 11, 12 at 8:00 PM
July 23, 30, August 6, 13 at 3:00 PM
Up In One Productions
The Center for Performing Arts in Rhinebeck
Route 308
Rhinebeck, NY
Call: (845) 876-3080
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
July 27, 28, 29, 2006 at 7:30 PM
July 29, 2006 at 2:00 PM
Pawling Theatre Company
Pawling High School
Reservoir Rd.
Pawling, NY
Chicago
July 21, 22, 27, 28, 29, August 3, 4, 5, 10, 11, 12 at 8:00 PM
July 23, 30, August 6, 13 at 3:00 PM
Up In One Productions
The Center for Performing Arts in Rhinebeck
Route 308
Rhinebeck, NY
Call: (845) 876-3080
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Wicked Rap
For those Saturday Night Live fans ... you'll recognize where this spoof comes from, but with definitely a Theater spin. It made me laugh, so I had to share it with you ...
Hope it makes you smile too.
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Hope it makes you smile too.
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
Tuesday, July 25, 2006
More Mis-Quotes
I while ago I wrote about marketing teams for Broadway shows getting .... Overly creative about the blurbs they use to promote a show... my favorite example being critic saying something like "a Brilliant example of what not to see ..." and the resulting blurb reading "Brilliant!"
The London Times ran a piece about this ... phenomenon.
Previously:
6-18 Critics strike back over blurbs
6-20 more on Blurbs
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
The London Times ran a piece about this ... phenomenon.
Previously:
6-18 Critics strike back over blurbs
6-20 more on Blurbs
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
Monday, July 24, 2006
Oliver! no longer a Rumor ...
Since it's up on the website, It's no longer a rumor - so I'll point it out. Rhinebeck Theater Society (RTS), has just announced their fall musical ... Oliver! Rhinebeck Theater Society is the group that I just finished doing Music Man with, so this is pretty exciting. From the announcement:
"The Rhinebeck Theatre Society, coming off the smash hit "The Music Man," brings director Herman Sebek back for Lionel Bart's awesome musical rendering of Charles Dickens' "Oliver Twist." Choreographed by NY City Ballet's Miriam Mahdaviani, and produced by Rich Hack and David Forman for RTS. Order tickets early for this one, because it will sell out!"
About Oliver!
The Show:
It first appeared in the West End in 1960, and enjoyed a long run that launched the careers of several child actors, including Davy Jones, later of The Monkees. The musical is based upon Oliver Twist by Charles Dickens. That it was the first such adaptation of a Dickens novel was one of the reasons why it attracted such attention. Another was the revolving stage set, an innovation designed by Sean Kenny.
The original London production of Oliver! opened in the New Theatre on June 30, 1960. Among the original cast were Ron Moody as Fagin, Georgia Brown as Nancy, and Barry Humphries in a small role as a humorous undertaker. It may have had a strong influence on many elements in the 1964 Disney film Mary Poppins.
A Broadway production opened in the Imperial Theatre on January 6, 1963.
In 1994, Oliver! was revived for the London stage with some additional music and lyrics by Lionel Bart. It was directed by Sam Mendes, and featured Jonathan Pryce as Fagin, Sally Dexter as Nancy, James Villiers (Mr Brownlow) and Miles Anderson as Bill Sikes. Later on in the run of this production, Jon Lee, who would later rise to fame as a member of the successful pop group, "S Club 7", played the title role.
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
"The Rhinebeck Theatre Society, coming off the smash hit "The Music Man," brings director Herman Sebek back for Lionel Bart's awesome musical rendering of Charles Dickens' "Oliver Twist." Choreographed by NY City Ballet's Miriam Mahdaviani, and produced by Rich Hack and David Forman for RTS. Order tickets early for this one, because it will sell out!"
About Oliver!
The Show:
It first appeared in the West End in 1960, and enjoyed a long run that launched the careers of several child actors, including Davy Jones, later of The Monkees. The musical is based upon Oliver Twist by Charles Dickens. That it was the first such adaptation of a Dickens novel was one of the reasons why it attracted such attention. Another was the revolving stage set, an innovation designed by Sean Kenny.
The original London production of Oliver! opened in the New Theatre on June 30, 1960. Among the original cast were Ron Moody as Fagin, Georgia Brown as Nancy, and Barry Humphries in a small role as a humorous undertaker. It may have had a strong influence on many elements in the 1964 Disney film Mary Poppins.
A Broadway production opened in the Imperial Theatre on January 6, 1963.
In 1994, Oliver! was revived for the London stage with some additional music and lyrics by Lionel Bart. It was directed by Sam Mendes, and featured Jonathan Pryce as Fagin, Sally Dexter as Nancy, James Villiers (Mr Brownlow) and Miles Anderson as Bill Sikes. Later on in the run of this production, Jon Lee, who would later rise to fame as a member of the successful pop group, "S Club 7", played the title role.
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
Thursday, July 20, 2006
Wicked News
Wicked is another musical that is on my want-to-see list. BroadwayWorld.com has a great video interview from the show - Note the new, larger format of the streaming video.
Also mentioned is a review of Wicked in Minneapolis at Steve's Blog, also he did a piece on all five Wicked productions currently on stage.
The Show:
Wicked is a musical that premiered on Broadway at the George Gershwin Theatre on October 30, 2003. It is loosely based on the best selling novel Wicked: The Life and Times of the Wicked Witch of the West by Gregory Maguire. The musical features music and lyrics by Stephen Schwartz and a book by Winnie Holzman. With musical staging by Tony Award winner Wayne Cilento, Wicked is directed by Tony winner Joe Mantello.
The original cast included Idina Menzel as Elphaba, Kristin Chenoweth as Glinda, and Joel Grey as The Wizard. Business and popularity boomed due to very good word-of-mouth, and the box office was boosted when the show was nominated for ten Tony Awards, including Best Musical. Menzel was named Best Actress in a Musical. The musical received two additional Tony awards—to Eugene Lee for scenic design and Susan Hilferty for costume design. The cast recording received the Grammy Award for Best Musical Show Album in 2005.
Synposis:
The story is an alternative to L. Frank Baum's classic book The Wonderful Wizard of Oz and is also influenced by the iconic 1939 movie, The Wizard of Oz. Set in the days prior to Dorothy's arrival from Kansas, the story explores the idea that the infamous antagonist we call the Wicked Witch of the West was misconstrued and victimized. Her alleged evilness was merely retaliation against a charlatan wizard’s corrupt government. At Shiz University, the intelligent green-skinned teenager, Elphaba Thropp, meets beautiful and ambitious Galinda Upland (who changes her name to Glinda during the course of the play and later becomes Glinda the Good) when the two become room mates. Their lives intertwine, and, throughout the show, their friendship struggles to endure extreme personality differences, opposing viewpoints, rivalry over the same love-interest, and of course, Elphaba’s eventual tragic fall from grace.
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
Also mentioned is a review of Wicked in Minneapolis at Steve's Blog, also he did a piece on all five Wicked productions currently on stage.
The Show:
Wicked is a musical that premiered on Broadway at the George Gershwin Theatre on October 30, 2003. It is loosely based on the best selling novel Wicked: The Life and Times of the Wicked Witch of the West by Gregory Maguire. The musical features music and lyrics by Stephen Schwartz and a book by Winnie Holzman. With musical staging by Tony Award winner Wayne Cilento, Wicked is directed by Tony winner Joe Mantello.
The original cast included Idina Menzel as Elphaba, Kristin Chenoweth as Glinda, and Joel Grey as The Wizard. Business and popularity boomed due to very good word-of-mouth, and the box office was boosted when the show was nominated for ten Tony Awards, including Best Musical. Menzel was named Best Actress in a Musical. The musical received two additional Tony awards—to Eugene Lee for scenic design and Susan Hilferty for costume design. The cast recording received the Grammy Award for Best Musical Show Album in 2005.
Synposis:
The story is an alternative to L. Frank Baum's classic book The Wonderful Wizard of Oz and is also influenced by the iconic 1939 movie, The Wizard of Oz. Set in the days prior to Dorothy's arrival from Kansas, the story explores the idea that the infamous antagonist we call the Wicked Witch of the West was misconstrued and victimized. Her alleged evilness was merely retaliation against a charlatan wizard’s corrupt government. At Shiz University, the intelligent green-skinned teenager, Elphaba Thropp, meets beautiful and ambitious Galinda Upland (who changes her name to Glinda during the course of the play and later becomes Glinda the Good) when the two become room mates. Their lives intertwine, and, throughout the show, their friendship struggles to endure extreme personality differences, opposing viewpoints, rivalry over the same love-interest, and of course, Elphaba’s eventual tragic fall from grace.
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
Wednesday, July 19, 2006
Onstage in the Hudson Valley this Weekend
For the Weekend of July 20 - July 23, 2006
There are a lot of shows on stage. Seussical is an adorable musical great for the whole Family. Chicago is more mature, but an awesome show. Then there is a musical review, as well as several dramas - two of which are murder mysteries. I encourage everyone to grab a friend and go see a show this weekend!
Seussical
July 21, 22, 27, 28, 29, 2006 at 7:30 PM
July 22, 29, 2006 at 2:00 PM
Pawling Theatre Company
Pawling High School
Reservoir Rd.
Pawling, NY
Chicago
July 21, 22, 27, 28, 29, August 3, 4, 5, 10, 11, 12 at 8:00 PM
July 23, 30, August 6, 13 at 3:00 PM
Up In One Productions
The Center for Performing Arts in Rhinebeck
Route 308
Rhinebeck, NY
Call: (845) 876-3080
Talley's Folly
July 20, 21, 22 at 8:00 PM
July 23 at 2:00 PM
New Paltz Summer Repertory Theatre
Parker Theater
SUNY New Paltz Campus
Call: (845) 257-3880
Black Coffee
July 21, 22 at 8:00 PM
July 23 at 2:00 PM
Coach House Players
Coach House
12 Augusta Street
Kingston, NY
Call: (845) 331-2476
I Hate Hamlet
July 21, 22 at 8:00 PM
July 23 at 3:00 PM
Creative Theatre-Muddy Water Players
The Playhouse at Museum Village
Route 17M
Monroe, NY
Call: (845) 294-9465
The World Goes 'Round (Musical Review)
July 21, 22 at 8:00 PM
County Players Falls Theatre
2681 W. Main Street
Wappingers Falls, NY 12590
Call (845) 298-1491
Murder at the Class Reunion
July 21
Trinity Players
Villa Borghese
Widmere Road
Wappingers Falls, NY
Call: (914) 474-8200
email: TrinityPlayers@frontiernet.net
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
There are a lot of shows on stage. Seussical is an adorable musical great for the whole Family. Chicago is more mature, but an awesome show. Then there is a musical review, as well as several dramas - two of which are murder mysteries. I encourage everyone to grab a friend and go see a show this weekend!
Seussical
July 21, 22, 27, 28, 29, 2006 at 7:30 PM
July 22, 29, 2006 at 2:00 PM
Pawling Theatre Company
Pawling High School
Reservoir Rd.
Pawling, NY
Chicago
July 21, 22, 27, 28, 29, August 3, 4, 5, 10, 11, 12 at 8:00 PM
July 23, 30, August 6, 13 at 3:00 PM
Up In One Productions
The Center for Performing Arts in Rhinebeck
Route 308
Rhinebeck, NY
Call: (845) 876-3080
Talley's Folly
July 20, 21, 22 at 8:00 PM
July 23 at 2:00 PM
New Paltz Summer Repertory Theatre
Parker Theater
SUNY New Paltz Campus
Call: (845) 257-3880
Black Coffee
July 21, 22 at 8:00 PM
July 23 at 2:00 PM
Coach House Players
Coach House
12 Augusta Street
Kingston, NY
Call: (845) 331-2476
I Hate Hamlet
July 21, 22 at 8:00 PM
July 23 at 3:00 PM
Creative Theatre-Muddy Water Players
The Playhouse at Museum Village
Route 17M
Monroe, NY
Call: (845) 294-9465
The World Goes 'Round (Musical Review)
July 21, 22 at 8:00 PM
County Players Falls Theatre
2681 W. Main Street
Wappingers Falls, NY 12590
Call (845) 298-1491
Murder at the Class Reunion
July 21
Trinity Players
Villa Borghese
Widmere Road
Wappingers Falls, NY
Call: (914) 474-8200
email: TrinityPlayers@frontiernet.net
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
Interesting Theater Genres
Justin's Drama Blog has a couple of great posts on various play genres. The first is one of my favorites:
"A Comedy of Manners is a play concerned with satirising society's manners. A manner is the method in which everyday duties are performed, conditions of society, or a way of speaking. It implies a polite and well-bred behavior."
"Revenge Tragedy : Tragedy in the days of Shakespeare is often referred to as Elizabethan tragedy. Few people realize this was arrival of a form that had a long history, originating alongside the gladiators, only a handful of centuries after the birth of western theatre.
In the 1st Century AD, Roman philosopher Seneca wrote a series of plays involving characters who, during the course of the plot, sought revenge upon another character for an evil doing."
"A Comedy of Manners is a play concerned with satirising society's manners. A manner is the method in which everyday duties are performed, conditions of society, or a way of speaking. It implies a polite and well-bred behavior."
"Revenge Tragedy : Tragedy in the days of Shakespeare is often referred to as Elizabethan tragedy. Few people realize this was arrival of a form that had a long history, originating alongside the gladiators, only a handful of centuries after the birth of western theatre.
In the 1st Century AD, Roman philosopher Seneca wrote a series of plays involving characters who, during the course of the plot, sought revenge upon another character for an evil doing."
Tuesday, July 18, 2006
On the Subject of Chicago ... Locally
Chicago will be playing at the Center for Performing Arts at Rhinebeck. Opening this Friday, this production features a number of actors and actresses I have worked with before, so I am pretty excited about going to see it and supporting them. Unfortunately my schedule won't allow a visit until August 6th!
Chicago is a musical, based on the play Chicago by Maurine Dallas Watkins. Its book was by Bob Fosse and Fred Ebb, music by John Kander and lyrics by Fred Ebb.
The Story:
The play Chicago was Watkins' retelling of two very public trials for murder that occurred in Chicago in 1924, those of Beulah Annan and Belva Gaertner. Watkins had been a reporter for the Chicago Tribune and later wrote a play based on her coverage.
The Show:
The play was produced in 1975, starring Chita Rivera as Velma Kelly, Gwen Verdon as Roxie Hart, and Jerry Orbach as Billy Flynn. Liza Minnelli served as a replacement for Gwen Verdon for a month in 1975, and her Broadway "comeback" generated publicity which helped lengthen the run of the show. When Verdon left the show, Fosse's girlfriend Ann Reinking stepped into the role.
As part of the City Center "Encores!" Series, the show was revived in 1996, directed by Walter Bobbie and choreographed "in the style of Bob Fosse" by Ann Reinking. It starred Joel Grey, James Naughton, Bebe Neuwirth, and Ann Reinking. This version, which transferred to Broadway, opened on November 14, 1996 and is still running as of June 2006. It also continues to play in the West End at the Adelphi Theatre until 22 April, and at the Cambridge Theatre from 28 April 2006.
The musical was adapted for the movie Chicago in 2002, starring Renée Zellweger as Roxie and Catherine Zeta-Jones as Velma. The story was told by staging the vaudeville acts as fantasies of Roxie Hart, by eliminating some songs, lightening the character of Roxie, and by changing the role of Mary Sunshine from male to female.
The History:
On April 3, 1924, in the bedroom she shared with her current husband, Beulah Sheriff Annan shot Harry Kalstedt in the back. She sat drinking cocktails and playing a foxtrot record, Hula Lou, over and over for about two hours as she sat watching Kalstedt die, then called her husband to say she'd killed a man who "tried to make love" to her. Beulah's story changed over time: first, claimed she shot Kalstedt in self-defense, fearing rape; later, she confessed to the murder. Then she claimed she had told Kalstedt she was leaving him, and that he reacted angrily and she shot him. Prosecutors surmised that Kalstedt had threatened to leave Beulah and she shot him in a jealous rage.
Her final story, at trial, was that she had told Kalstedt she was pregnant, they struggled and...that's when they both reached for the gun. Herr husband Albert Annan stood by her, pulled his money out of the bank to get her the best lawyers, and stood by her throughout the trial. The day after the trial ended in acquittal, his wife announced, "I have left my husband. He is too slow." And she divorced him.
Here's how Watkins covered "Beautiful" Beulah's trial:"I'm the only witness," Beulah boasted. "Harry's dead and they'll have to believe my story."But which one? The confession she made to Assistant State's Attorney Roy C. Woods (with a court reporter present) in her apartment at 9 o'clock the night of the crime, when she said she shot Kalstedt, whom she barely knew, to save her honor as he approached her in attack? Or the statement that she made at the Hyde Park police station (also with court reporters present) three hours later? Then she broke down and admitted that she shot him in the back. Her case was taken up by mob lawyer William W. O'Brien, and Maurine Dallas Watkins was assigned to cover the trial.
One of the defense ploys was announcing during the trial that Beulah was pregnant: she was not. Watkins' played up the "sob-story" aspects of both cases and her coverage may well have played a role in the not guilty verdicts both obtained. With these two additions, there were six women on death row in Chicago, but Watkins dismissed four of them as unnewsworthy: "Two of those left are colored: Minnie Nichols and Rose Epps. The other two, Sabella Nitti and Lela Foster, are middle aged and well, neither is cursed with the grace or the beauty of Diana. Then too, Beulah and Belva killed young men friends, and these ladies only 'bumped off' their husbands."
Watkins played up the exciting aspects of her two cases: two "jazz" babes corrupted by men and liquor, the one of them, Beulah Annan, the "beauty of the cell block", and the other, Belva Gaertner, characterized as the "most stylish of Murderess Row." Gaertner's story was that Law might have killed himself: she was acquitted.
Another sensational murder case was soon to occur in Chicago, Bobby Franks's body was discovered May 23, 1924; Beulah was acquitted of murder two days later, on May 25, 1924.
Watkins did some reporting on the Leopold and Loeb case, which quickly overshadowed the coverage of the Belvah Gaertner verdict, but she soon left journalism to take up playwrighting, studying under George Pierce Baker at Yale University. As a class assignment in his famous 47 Workshop playwrighting course, she wrote a fictionalized version of the two murders she had covered as a reporter, calling it first The Brave Little Woman, then Chicago, or Play Ball, and finally Chicago.
Beulah Annan became "Roxie Hart"; Belva Gaertner became "Velma Kelly". Albert Annan became "Amos Hart". The two lawyers, William Scott Stewart and W. W. O'Brien, became a composite character, "Billy Flynn". Why these names? There's only one that has a clear antecedent. In 1913, near Watkins's hometown of Crawfordsville, Indiana, a man named Walter Runyan shot and killed Arlie Stull to stop him from telling Walter's wife that Walter was having an affair with a woman named Roxie Hart!
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
Chicago is a musical, based on the play Chicago by Maurine Dallas Watkins. Its book was by Bob Fosse and Fred Ebb, music by John Kander and lyrics by Fred Ebb.
The Story:
The play Chicago was Watkins' retelling of two very public trials for murder that occurred in Chicago in 1924, those of Beulah Annan and Belva Gaertner. Watkins had been a reporter for the Chicago Tribune and later wrote a play based on her coverage.
The Show:
The play was produced in 1975, starring Chita Rivera as Velma Kelly, Gwen Verdon as Roxie Hart, and Jerry Orbach as Billy Flynn. Liza Minnelli served as a replacement for Gwen Verdon for a month in 1975, and her Broadway "comeback" generated publicity which helped lengthen the run of the show. When Verdon left the show, Fosse's girlfriend Ann Reinking stepped into the role.
As part of the City Center "Encores!" Series, the show was revived in 1996, directed by Walter Bobbie and choreographed "in the style of Bob Fosse" by Ann Reinking. It starred Joel Grey, James Naughton, Bebe Neuwirth, and Ann Reinking. This version, which transferred to Broadway, opened on November 14, 1996 and is still running as of June 2006. It also continues to play in the West End at the Adelphi Theatre until 22 April, and at the Cambridge Theatre from 28 April 2006.
The musical was adapted for the movie Chicago in 2002, starring Renée Zellweger as Roxie and Catherine Zeta-Jones as Velma. The story was told by staging the vaudeville acts as fantasies of Roxie Hart, by eliminating some songs, lightening the character of Roxie, and by changing the role of Mary Sunshine from male to female.
The History:
On April 3, 1924, in the bedroom she shared with her current husband, Beulah Sheriff Annan shot Harry Kalstedt in the back. She sat drinking cocktails and playing a foxtrot record, Hula Lou, over and over for about two hours as she sat watching Kalstedt die, then called her husband to say she'd killed a man who "tried to make love" to her. Beulah's story changed over time: first, claimed she shot Kalstedt in self-defense, fearing rape; later, she confessed to the murder. Then she claimed she had told Kalstedt she was leaving him, and that he reacted angrily and she shot him. Prosecutors surmised that Kalstedt had threatened to leave Beulah and she shot him in a jealous rage.
Her final story, at trial, was that she had told Kalstedt she was pregnant, they struggled and...that's when they both reached for the gun. Herr husband Albert Annan stood by her, pulled his money out of the bank to get her the best lawyers, and stood by her throughout the trial. The day after the trial ended in acquittal, his wife announced, "I have left my husband. He is too slow." And she divorced him.
Here's how Watkins covered "Beautiful" Beulah's trial:"I'm the only witness," Beulah boasted. "Harry's dead and they'll have to believe my story."But which one? The confession she made to Assistant State's Attorney Roy C. Woods (with a court reporter present) in her apartment at 9 o'clock the night of the crime, when she said she shot Kalstedt, whom she barely knew, to save her honor as he approached her in attack? Or the statement that she made at the Hyde Park police station (also with court reporters present) three hours later? Then she broke down and admitted that she shot him in the back. Her case was taken up by mob lawyer William W. O'Brien, and Maurine Dallas Watkins was assigned to cover the trial.
One of the defense ploys was announcing during the trial that Beulah was pregnant: she was not. Watkins' played up the "sob-story" aspects of both cases and her coverage may well have played a role in the not guilty verdicts both obtained. With these two additions, there were six women on death row in Chicago, but Watkins dismissed four of them as unnewsworthy: "Two of those left are colored: Minnie Nichols and Rose Epps. The other two, Sabella Nitti and Lela Foster, are middle aged and well, neither is cursed with the grace or the beauty of Diana. Then too, Beulah and Belva killed young men friends, and these ladies only 'bumped off' their husbands."
Watkins played up the exciting aspects of her two cases: two "jazz" babes corrupted by men and liquor, the one of them, Beulah Annan, the "beauty of the cell block", and the other, Belva Gaertner, characterized as the "most stylish of Murderess Row." Gaertner's story was that Law might have killed himself: she was acquitted.
Another sensational murder case was soon to occur in Chicago, Bobby Franks's body was discovered May 23, 1924; Beulah was acquitted of murder two days later, on May 25, 1924.
Watkins did some reporting on the Leopold and Loeb case, which quickly overshadowed the coverage of the Belvah Gaertner verdict, but she soon left journalism to take up playwrighting, studying under George Pierce Baker at Yale University. As a class assignment in his famous 47 Workshop playwrighting course, she wrote a fictionalized version of the two murders she had covered as a reporter, calling it first The Brave Little Woman, then Chicago, or Play Ball, and finally Chicago.
Beulah Annan became "Roxie Hart"; Belva Gaertner became "Velma Kelly". Albert Annan became "Amos Hart". The two lawyers, William Scott Stewart and W. W. O'Brien, became a composite character, "Billy Flynn". Why these names? There's only one that has a clear antecedent. In 1913, near Watkins's hometown of Crawfordsville, Indiana, a man named Walter Runyan shot and killed Arlie Stull to stop him from telling Walter's wife that Walter was having an affair with a woman named Roxie Hart!
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More changes in the NYC Cast for Chicago
So after the Usher announcement the other day ... we have another addition to the cast.
From playbill: "Bianca Marroquin, who starred in the Mexico City production of Chicago, will return to the Broadway company of the hit musical Aug. 22, the same day five-time Grammy Award winner Usher begins his stint as slick lawyer Billy Flynn."
It will be interesting to see who else they will get for Chicago!
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From playbill: "Bianca Marroquin, who starred in the Mexico City production of Chicago, will return to the Broadway company of the hit musical Aug. 22, the same day five-time Grammy Award winner Usher begins his stint as slick lawyer Billy Flynn."
It will be interesting to see who else they will get for Chicago!
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
Monday, July 17, 2006
A Chorus Line
A Chorus Line is being revived! There are several interesting angles to this. The first is that they are planning on keeping it set in the 70's - Link to the official site here. The second, and what I find most interesting is how they are blogging - read the blog entries here on broadwayworld.com.
This is another example of how social computing is promoting the theater. You may recall this post on Internet Marketing and Broadway. I think community theaters and community theater groups need to sit up and take notice. Online Marketing is cost effective, easy to do (for the most part) and effective!
Of course, just speaking for the theaters and groups in my area, many of them could benefit by just having some sort of an internet presence, and keeping the information on it up to date. Email lists could send information both to interested volunteers and patrons of your group. There is so much that could be done, and most of it pretty easy. I'm firm in my belief that this would be an excellent avenue for community theaters and community theater groups to explore.
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
This is another example of how social computing is promoting the theater. You may recall this post on Internet Marketing and Broadway. I think community theaters and community theater groups need to sit up and take notice. Online Marketing is cost effective, easy to do (for the most part) and effective!
Of course, just speaking for the theaters and groups in my area, many of them could benefit by just having some sort of an internet presence, and keeping the information on it up to date. Email lists could send information both to interested volunteers and patrons of your group. There is so much that could be done, and most of it pretty easy. I'm firm in my belief that this would be an excellent avenue for community theaters and community theater groups to explore.
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
Sunday, July 16, 2006
The Music Man Review
This past Thursday I went to see Erica in The Music Man. I was very excited to finally get to see it, and I was not disappointed.
Now, keep in mind that I’ve never seen the show before, anywhere. I’ve never even seen the movie. The closest I’ve come is seeing the songs performed in the Simpsons and in Family Guy.
First off, the look of the show was great. The backdrops were painted by a local artist, Richard Prouse, and were both beautifully done and charming, bringing you right back to the Midwest in the 1900s. I enjoyed the fact that the band was situated on stage, where they became an interactive part of the set. They also played wonderfully, and never detracted from the action. The costumes were also fantastic, and the hats! Wow.
Although the set and costumes definitely gave the impression of the correct time period, it was obviously not attempting to be a ‘period’ piece. Some costume pieces and props were modern, but I didn’t feel that it detracted from the show. It almost made you feel that the story could be happening today, instead of in 1912.
The children actors in the show were fantastic. They threw themselves whole-heartedly into the play, and were totally enjoyable to watch. Honestly, I’d have to mention almost every name to cover all of the kids that particularly stood out to me.
Another actor that I particularly enjoyed was Nick Jones, playing Marcellus. He was definitely my favorite character in the show; he also sung my favorite number in the show, shipoopi. It was a great company number with all the kids dancing, great costumes that accentuated the dance, and hilarious lyrics. Then again, maybe I just liked it so much because I saw it on Family Guy first.
It’s very easy to make a silly musical bad. Just one person who doesn’t act ridiculous, when appropriate, is enough to severely detract from the show. Having never seen the show before, I had understood it was a silly show, as most musicals from that time period are. The Music Man did not disappoint. And the entire cast did everything they could to ham it up, making the entire effect a wonderful, enjoyable, fun show to watch.
Now, keep in mind that I’ve never seen the show before, anywhere. I’ve never even seen the movie. The closest I’ve come is seeing the songs performed in the Simpsons and in Family Guy.
First off, the look of the show was great. The backdrops were painted by a local artist, Richard Prouse, and were both beautifully done and charming, bringing you right back to the Midwest in the 1900s. I enjoyed the fact that the band was situated on stage, where they became an interactive part of the set. They also played wonderfully, and never detracted from the action. The costumes were also fantastic, and the hats! Wow.
Although the set and costumes definitely gave the impression of the correct time period, it was obviously not attempting to be a ‘period’ piece. Some costume pieces and props were modern, but I didn’t feel that it detracted from the show. It almost made you feel that the story could be happening today, instead of in 1912.
The children actors in the show were fantastic. They threw themselves whole-heartedly into the play, and were totally enjoyable to watch. Honestly, I’d have to mention almost every name to cover all of the kids that particularly stood out to me.
Another actor that I particularly enjoyed was Nick Jones, playing Marcellus. He was definitely my favorite character in the show; he also sung my favorite number in the show, shipoopi. It was a great company number with all the kids dancing, great costumes that accentuated the dance, and hilarious lyrics. Then again, maybe I just liked it so much because I saw it on Family Guy first.
It’s very easy to make a silly musical bad. Just one person who doesn’t act ridiculous, when appropriate, is enough to severely detract from the show. Having never seen the show before, I had understood it was a silly show, as most musicals from that time period are. The Music Man did not disappoint. And the entire cast did everything they could to ham it up, making the entire effect a wonderful, enjoyable, fun show to watch.
Saturday, July 15, 2006
Music Man Closing Sunday
I'm a little sad. Of course I'm always a little sad at the end of a show. Music Man has been a wonderful experience ... and we're certainly going out with a bang - We've been sold out every day this weekend. Even Thursday night which is unusual at this theater.
It's great the relationships you develop with the other cast members and the crew. Every show has a different dynamic and balance. This show is wonderful because the cast is fantastic and the crew and behind the scenes people are exceptional.
Before I become too sentimental ....
Break a leg tonight and tomorrow to all my fellow cast members!
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It's great the relationships you develop with the other cast members and the crew. Every show has a different dynamic and balance. This show is wonderful because the cast is fantastic and the crew and behind the scenes people are exceptional.
Before I become too sentimental ....
Break a leg tonight and tomorrow to all my fellow cast members!
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
Usher joining Chicago Cast
Usher is going to be joining the Broadway cast of Chicago ... as Billy Flynn vibe.com.
I'm not sure what to think. On one hand he can sing and he appears to have some acting experience, but is it enough to pull off a role as complex and manipulative as Billy Flynn with flying colors. I'm not so sure ... It looks like we'll have to wait and see.
Fellow Bloggers have their own take on this Steve on Broadway and Musical Theater Audition
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I'm not sure what to think. On one hand he can sing and he appears to have some acting experience, but is it enough to pull off a role as complex and manipulative as Billy Flynn with flying colors. I'm not so sure ... It looks like we'll have to wait and see.
Fellow Bloggers have their own take on this Steve on Broadway and Musical Theater Audition
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Batman the Musical?
It seems that inspiration for Broadway shows is coming from all sorts of places, unfortunately it seems that recycled ideas are the majority of those sources ... I'm a little concerned over all the movie to musical translations that are happening. The Wedding Singer is one, now Batman the musical? link
What's next? Grumpy Old Men ... wait I heard a rumor about that one ...
I may sound a little nostalgic ... okay maybe a lot nostalgic, but where did the "New" Broadway Musical go? It seems like revivals and movies-made-to-musical is all we've had lately.
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What's next? Grumpy Old Men ... wait I heard a rumor about that one ...
I may sound a little nostalgic ... okay maybe a lot nostalgic, but where did the "New" Broadway Musical go? It seems like revivals and movies-made-to-musical is all we've had lately.
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
Thursday, July 13, 2006
Children's Theater This Weekend July 14
A variety of great performances for Children. The perfect place to introduce children to the joys of live performance and theater.
William K. Whiskers
July 15 at 11:00 AM
A wacky interactive puppet and comedy show with creative characters, including Whiskers himself. You'll be amazed by what he makes from an old bucket, oven mitt, egg beater and toilet plunger!
The Center for Performing Arts in Rhinebeck
Route 308
Rhinebeck, NY
** Please Note - There is No advance sales for these shows; tickets are sold on the day of show starting at 10 am. General seating; most are approximately 50 minutes in length.
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William K. Whiskers
July 15 at 11:00 AM
A wacky interactive puppet and comedy show with creative characters, including Whiskers himself. You'll be amazed by what he makes from an old bucket, oven mitt, egg beater and toilet plunger!
The Center for Performing Arts in Rhinebeck
Route 308
Rhinebeck, NY
** Please Note - There is No advance sales for these shows; tickets are sold on the day of show starting at 10 am. General seating; most are approximately 50 minutes in length.
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
Theater Auditions in the Mid Hudson Valley
Greater Tuna
July 16, 17, 2006 at 7:00 PM
County Players
County Players Falls Theatre
2681 W. Main St
Wappingers Falls, NY
Call: (845) 297-7521
e-mail: peteshows@msn.com
Directed by: Christine Crawfis
Production Dates: September 15, 16, 22, 23, 24, 29, 30, 2006
Casting: 2 Men -- each play numerous characters
Synopsis: Don't touch that dial! Stay tuned for Tuna! Greater Tuna is the hilarious comedy about Texas' third smallest town, where the Lion's Club is too liberal and Patsy Cline never dies. Only two performers play all the eclectic men, women, children and animals that make up the town that is home to this charming satire on life in rural America. You won't find the town of Tuna on any authorized map of Texas. But, for a brief moment, you will be able to find it on our stage, where the Tuna townsfolk will pursue their pleasures and air their prejudices. This play is too funny to capture in words so join us as we perform this unforgettable two-man quick-change extravaganza. It's guaranteed to be a rompin' stompin' good time. And remember, they don't call it Greater Tuna for nothing!
------------------------------------------------
TriArts at Sharon Playhouse
Sharon, Conn.
Entries accepted until July 21 for Will Rogers essay writing contest. Open to students ages 8-16. Winners receive full scholarship to summer musical theatre workshop. For details, visit www.triarts.net or call 1-800-364-SHOW (7469).
------------------------------------------------
TrueNorth Theatre Project www.truenorththeatre.org
Deadline: Oct. 15
One-act river- related play entries accepted for the first annual River Play festival with the TrueNorth Theatre Project and The Beacon Institute for Rivers and Estuaries.
------------------------------------------------
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
July 16, 17, 2006 at 7:00 PM
County Players
County Players Falls Theatre
2681 W. Main St
Wappingers Falls, NY
Call: (845) 297-7521
e-mail: peteshows@msn.com
Directed by: Christine Crawfis
Production Dates: September 15, 16, 22, 23, 24, 29, 30, 2006
Casting: 2 Men -- each play numerous characters
Synopsis: Don't touch that dial! Stay tuned for Tuna! Greater Tuna is the hilarious comedy about Texas' third smallest town, where the Lion's Club is too liberal and Patsy Cline never dies. Only two performers play all the eclectic men, women, children and animals that make up the town that is home to this charming satire on life in rural America. You won't find the town of Tuna on any authorized map of Texas. But, for a brief moment, you will be able to find it on our stage, where the Tuna townsfolk will pursue their pleasures and air their prejudices. This play is too funny to capture in words so join us as we perform this unforgettable two-man quick-change extravaganza. It's guaranteed to be a rompin' stompin' good time. And remember, they don't call it Greater Tuna for nothing!
------------------------------------------------
TriArts at Sharon Playhouse
Sharon, Conn.
Entries accepted until July 21 for Will Rogers essay writing contest. Open to students ages 8-16. Winners receive full scholarship to summer musical theatre workshop. For details, visit www.triarts.net or call 1-800-364-SHOW (7469).
------------------------------------------------
TrueNorth Theatre Project www.truenorththeatre.org
Deadline: Oct. 15
One-act river- related play entries accepted for the first annual River Play festival with the TrueNorth Theatre Project and The Beacon Institute for Rivers and Estuaries.
------------------------------------------------
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Wednesday, July 12, 2006
On Stage in the Mid Hudson Valley July 12 - 16
This Weekend on stage in the Mid Hudson Valley, we have a lot of variety. As always, I encourage you to take in a show. I can tell you that Music Man is sold out Saturday & Sunday for certain.
July 12 - June 16, 2006
Karaoke
July 12, August 2, August 23 at 9:00 PM
The Center for Performing Arts in Rhinebeck
Route 308
Rhinebeck, NY
Call: (845) 876-3080
Talley's Folly
July 13, 14, 15, 20, 21, 22 at 8:00 PM
July 16, 23 at 2:00 PM
New Paltz Summer Repertory Theatre
Parker TheaterSUNY New Paltz Campus
Call: (845) 257-3880
The Music Man
July 13, 14, 15 at 8:00 PM
July 16 at 3:00 PM
Rhinebeck Theatre Society
The Center for Performing Arts in Rhinebeck
Route 308
Rhinebeck, NY
Call: (845) 876-3080
Black Coffee
Jul 14, 15, 21, 22 at 8:00 PM
Jul 16, 23 at 2:00 PM
Coach House Players
Coach House
12 Augusta Street
Kingston, NY
Call: (845) 331-2476
I Hate Hamlet
July 14, 15, 21, 22 at 8:00 PM
July 16, 2006 at 7:00 PM
July 23 at 3:00 PM
Creative Theatre-Muddy Water Players
The Playhouse at Museum Village
Route 17M
Monroe, NY
Call: (845) 294-9465
The World Goes 'Round (Musical Review)
July 14, 15, 21, 22 at 8:00 PM
County Players Falls Theatre
2681 W. Main Street
Wappingers Falls, NY 12590
Call (845) 298-1491
New Plays Festival
July 12, 13, 14, 15, 2006 at 7:30 PM
Stormy Weather Players
Storm King School
314 Mountain Road
Cornwall-on-Hudson, NY
Call: (845) 534-5733
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July 12 - June 16, 2006
Karaoke
July 12, August 2, August 23 at 9:00 PM
The Center for Performing Arts in Rhinebeck
Route 308
Rhinebeck, NY
Call: (845) 876-3080
Talley's Folly
July 13, 14, 15, 20, 21, 22 at 8:00 PM
July 16, 23 at 2:00 PM
New Paltz Summer Repertory Theatre
Parker TheaterSUNY New Paltz Campus
Call: (845) 257-3880
The Music Man
July 13, 14, 15 at 8:00 PM
July 16 at 3:00 PM
Rhinebeck Theatre Society
The Center for Performing Arts in Rhinebeck
Route 308
Rhinebeck, NY
Call: (845) 876-3080
Black Coffee
Jul 14, 15, 21, 22 at 8:00 PM
Jul 16, 23 at 2:00 PM
Coach House Players
Coach House
12 Augusta Street
Kingston, NY
Call: (845) 331-2476
I Hate Hamlet
July 14, 15, 21, 22 at 8:00 PM
July 16, 2006 at 7:00 PM
July 23 at 3:00 PM
Creative Theatre-Muddy Water Players
The Playhouse at Museum Village
Route 17M
Monroe, NY
Call: (845) 294-9465
The World Goes 'Round (Musical Review)
July 14, 15, 21, 22 at 8:00 PM
County Players Falls Theatre
2681 W. Main Street
Wappingers Falls, NY 12590
Call (845) 298-1491
New Plays Festival
July 12, 13, 14, 15, 2006 at 7:30 PM
Stormy Weather Players
Storm King School
314 Mountain Road
Cornwall-on-Hudson, NY
Call: (845) 534-5733
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
Symbolism
Wikipedia has defined symbolism as the following:
"Symbolism is the systematic or creative use of arbitrary symbols as abstracted representations of concepts or objects and the distinct relationships in between, as they define both context and the narrower definition of terms. In a narrow context, "symbolism" is the applied use of any iconic representations which carry particular conventional meanings."
From Justin's Drama Blog:
"Adding the use of symbol in a student drama performance is a difficult task. But when symbol is weaved successfully into either classroom drama or professional theatre, it adds sophistication that places the show on a whole new level.
A symbol implies a greater meaning than the literal suggestion and is usually used to represent something other than what it is at face value. Symbolism in the theatre can be achieved via characters, colour, movement, costume and props.
Symbolism began with a group of French poets in the late 19th Century and soon spread to the visual arts and theatre, finding its peak between about 1885 and 1910. French poet Jean Moreas published the Symbolist Manifesto in 1886 that greatly influenced the entire movement in the visual and performing arts."
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
"Symbolism is the systematic or creative use of arbitrary symbols as abstracted representations of concepts or objects and the distinct relationships in between, as they define both context and the narrower definition of terms. In a narrow context, "symbolism" is the applied use of any iconic representations which carry particular conventional meanings."
From Justin's Drama Blog:
"Adding the use of symbol in a student drama performance is a difficult task. But when symbol is weaved successfully into either classroom drama or professional theatre, it adds sophistication that places the show on a whole new level.
A symbol implies a greater meaning than the literal suggestion and is usually used to represent something other than what it is at face value. Symbolism in the theatre can be achieved via characters, colour, movement, costume and props.
Symbolism began with a group of French poets in the late 19th Century and soon spread to the visual arts and theatre, finding its peak between about 1885 and 1910. French poet Jean Moreas published the Symbolist Manifesto in 1886 that greatly influenced the entire movement in the visual and performing arts."
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
The Last Few Days
I've been feeling restless the last few days, Missing something ... Missing the theater - this post describes exactly what I've been feeling ... With eloquence. (thanks Kat)
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
Monday, July 10, 2006
It's a hard knock life ....
The New York Times had a article on a documentary about the girls who were part of the original Annie Broadway cast and tour - it also has some nice photos ... link
"WHEN Julie Stevens was 9, she and her mother took a train to New York from their home in Philadelphia to meet with a child-modeling agent. That meeting, in 1979, lasted five minutes; the agent said it would be better if Julie were blonde. Later the pair wandered over to the Alvin Theater (since renamed the Neil Simon Theater) on West 52nd Street, where the hit musical "Annie" had been running for two and a half years.
Julie, with her mother at her heels, strode into the theater through the stage door, stood in the wings watching a rehearsal and, after being noticed by a stage manager, announced, "I want to be in 'Annie.' " Three auditions later she got a part as the orphan named Tessie.
Now Ms. Stevens has directed a documentary film, "Life After Tomorrow," about dozens of girls like her who acted in "Annie" during its original run on Broadway and on the road from 1977 through 1983. The film was shown at several festivals this spring and is currently seeking a distributor."
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
"WHEN Julie Stevens was 9, she and her mother took a train to New York from their home in Philadelphia to meet with a child-modeling agent. That meeting, in 1979, lasted five minutes; the agent said it would be better if Julie were blonde. Later the pair wandered over to the Alvin Theater (since renamed the Neil Simon Theater) on West 52nd Street, where the hit musical "Annie" had been running for two and a half years.
Julie, with her mother at her heels, strode into the theater through the stage door, stood in the wings watching a rehearsal and, after being noticed by a stage manager, announced, "I want to be in 'Annie.' " Three auditions later she got a part as the orphan named Tessie.
Now Ms. Stevens has directed a documentary film, "Life After Tomorrow," about dozens of girls like her who acted in "Annie" during its original run on Broadway and on the road from 1977 through 1983. The film was shown at several festivals this spring and is currently seeking a distributor."
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
Sunday, July 09, 2006
Technology and Marketing for the Theater
There was a great article today in the NYTimes, detailing how Broadway Producers are using inexpensive personalized online marketing to fill seats and reach their customers. They are now utilizing email, social computing, viral marketing, online word of mouth and blogs to reach new and existing customers.
"IF you were one of the 2,500 people who saw the Off Broadway musical "Altar Boyz" last week, its producer, Ken Davenport, probably has your number. Or at least, if you were among the 40 percent who bought your tickets online, he has your e-mail address. So don't be surprised when a thank-you message ("on behalf of Matthew, Mark, Luke, Juan and Abraham") shows up in your electronic mailbox Monday morning, including a discount offer for a return visit or to send to friends, "so that they too can fall in love with The Boyz, just like you have."" read more ...
I believe this is also the way that community theaters are going to have to go to keep costs down and be effective. As more and more people get comfortable online - regional and community theaters will need to adapt to be effective. It will be interesting to see what develops, but I'm pretty certain it's coming.
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
"IF you were one of the 2,500 people who saw the Off Broadway musical "Altar Boyz" last week, its producer, Ken Davenport, probably has your number. Or at least, if you were among the 40 percent who bought your tickets online, he has your e-mail address. So don't be surprised when a thank-you message ("on behalf of Matthew, Mark, Luke, Juan and Abraham") shows up in your electronic mailbox Monday morning, including a discount offer for a return visit or to send to friends, "so that they too can fall in love with The Boyz, just like you have."" read more ...
I believe this is also the way that community theaters are going to have to go to keep costs down and be effective. As more and more people get comfortable online - regional and community theaters will need to adapt to be effective. It will be interesting to see what develops, but I'm pretty certain it's coming.
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
Saturday, July 08, 2006
Powerhouse Theater apprentice program
Today in the Poughkeepsie Journal; an article about middle school students shadowing College Theater majors at Vassar College. It sounds like an awesome program to get young people interested in the theater and give them a behind the scenes look.
"After acting out a scene from Tennessee Williams' "A Streetcar Named Desire," theater major Lila Claghorn found her most outspoken critics were a group of seventh-graders.
"Get angrier if you want us to believe you," students told Claghorn after a fight scene between sisters Blanche and Stella.
Claghorn said her critics were right.
College students and students from Poughkeepsie Middle School are learning together this week as part of the Powerhouse Apprentice Program at Vassar College in Poughkeepsie."
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
"After acting out a scene from Tennessee Williams' "A Streetcar Named Desire," theater major Lila Claghorn found her most outspoken critics were a group of seventh-graders.
"Get angrier if you want us to believe you," students told Claghorn after a fight scene between sisters Blanche and Stella.
Claghorn said her critics were right.
College students and students from Poughkeepsie Middle School are learning together this week as part of the Powerhouse Apprentice Program at Vassar College in Poughkeepsie."
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
Good News for the National Theater for the Deaf in Hartford
Some time ago I wrote this post about the federal funding cuts for Deaf Theater Troupes.
Happily, the National Theater of the Deaf in West Hartford, CT appears to have found some alternate funding. playgoer blog post link, and NY Times:
"Connecticut's state government announced that it had set aside $200,000 in its recently approved budget for the National Theater of the Deaf in West Hartford, which has been struggling to stay open after its federal financing was eliminated."
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
Happily, the National Theater of the Deaf in West Hartford, CT appears to have found some alternate funding. playgoer blog post link, and NY Times:
"Connecticut's state government announced that it had set aside $200,000 in its recently approved budget for the National Theater of the Deaf in West Hartford, which has been struggling to stay open after its federal financing was eliminated."
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
Corrie Casting Call
So now that Corrie is finally coming to NYC - Playbill has a casting notice for the show ... It looks like they are looking for someone to cover two of the eight performances a week, and are hoping for an extended run. With all the buzz (read controversy) I would think people would show up to see what all the fuss is about. However it is a straight play, which as we know tends not to draw the audiences that a big musical does.
Want to know about My Name is Rachel Corrie? Previously:
4-1-06 Art, Theater and Censorship
4-6-06 London Run Extended
4-11-06 Update on My Name is Rachel Corrie
4-23-06 NYTW Panel Discussions
6-24-06 Corrie comes to NYC
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Blogs Entertainment
Want to know about My Name is Rachel Corrie? Previously:
4-1-06 Art, Theater and Censorship
4-6-06 London Run Extended
4-11-06 Update on My Name is Rachel Corrie
4-23-06 NYTW Panel Discussions
6-24-06 Corrie comes to NYC
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Blogs Entertainment
Oh we're halfway there ....
Oh-oh living on a prayer ...
Not really, the show is going really well - nice strong performances. Tonight we had another really great audience who really reacted. We've made it through half of the performances. Six down Six to go. My hubby came to see the show and loved it - and yes, he would have told me if he didn't - he has in the past.
Other posts about Music Man: Interview with Herman Sebek, Family Guy Shipoopi, First Weekend of Music Man, Wonderful Opening Night, Another Op'nin Another Show!, The continuing saga of rehearsals, Music Man rehearsal, and More!
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
Not really, the show is going really well - nice strong performances. Tonight we had another really great audience who really reacted. We've made it through half of the performances. Six down Six to go. My hubby came to see the show and loved it - and yes, he would have told me if he didn't - he has in the past.
Other posts about Music Man: Interview with Herman Sebek, Family Guy Shipoopi, First Weekend of Music Man, Wonderful Opening Night, Another Op'nin Another Show!, The continuing saga of rehearsals, Music Man rehearsal, and More!
Technorati tags: Hudson valley theater Broadway Music Musicals Blog Theater Hudson Valley Community Theater Movie Musicals Blogs Entertainment
Friday, July 07, 2006
New TKTS booth
Thursday, July 06, 2006
Hudson Valley Theater Auditions July 6
AUDITIONS
Greater Tuna
July 16, 17, 2006 at 7:00 PM
County PlayersCounty Players Falls Theatre
2681 W. Main St
Wappingers Falls, NY
Call: (845) 297-7521
e-mail: peteshows@msn.com
Directed by: Christine Crawfis
Production Dates: September 15, 16, 22, 23, 24, 29, 30, 2006
Casting: 2 Men -- each play numerous characters
Synopsis: Don't touch that dial! Stay tuned for Tuna! Greater Tuna is the hilarious comedy about Texas' third smallest town, where the Lion's Club is too liberal and Patsy Cline never dies. Only two performers play all the eclectic men, women, children and animals that make up the town that is home to this charming satire on life in rural America. You won't find the town of Tuna on any authorized map of Texas. But, for a brief moment, you will be able to find it on our stage, where the Tuna townsfolk will pursue their pleasures and air their prejudices. This play is too funny to capture in words so join us as we perform this unforgettable two-man quick-change extravaganza. It's guaranteed to be a rompin' stompin' good time. And remember, they don't call it Greater Tuna for nothing!
------------------------------------------------
TriArts at Sharon Playhouse
Sharon, Conn. Entries accepted until July 21 for Will Rogers essay writing contest. Open to students ages 8-16. Winners receive full scholarship to summer musical theatre workshop. For details, visit www.triarts.net or call 1-800-364-SHOW (7469).
------------------------------------------------
TrueNorth Theatre Project
Deadline: Oct. 15
One-act river- related play entries accepted for the first annual River Play festival with the TrueNorth Theatre Project and The Beacon Institute for Rivers and Estuaries.
------------------------------------------------
Greater Tuna
July 16, 17, 2006 at 7:00 PM
County PlayersCounty Players Falls Theatre
2681 W. Main St
Wappingers Falls, NY
Call: (845) 297-7521
e-mail: peteshows@msn.com
Directed by: Christine Crawfis
Production Dates: September 15, 16, 22, 23, 24, 29, 30, 2006
Casting: 2 Men -- each play numerous characters
Synopsis: Don't touch that dial! Stay tuned for Tuna! Greater Tuna is the hilarious comedy about Texas' third smallest town, where the Lion's Club is too liberal and Patsy Cline never dies. Only two performers play all the eclectic men, women, children and animals that make up the town that is home to this charming satire on life in rural America. You won't find the town of Tuna on any authorized map of Texas. But, for a brief moment, you will be able to find it on our stage, where the Tuna townsfolk will pursue their pleasures and air their prejudices. This play is too funny to capture in words so join us as we perform this unforgettable two-man quick-change extravaganza. It's guaranteed to be a rompin' stompin' good time. And remember, they don't call it Greater Tuna for nothing!
------------------------------------------------
TriArts at Sharon Playhouse
Sharon, Conn. Entries accepted until July 21 for Will Rogers essay writing contest. Open to students ages 8-16. Winners receive full scholarship to summer musical theatre workshop. For details, visit www.triarts.net or call 1-800-364-SHOW (7469).
------------------------------------------------
TrueNorth Theatre Project
Deadline: Oct. 15
One-act river- related play entries accepted for the first annual River Play festival with the TrueNorth Theatre Project and The Beacon Institute for Rivers and Estuaries.
------------------------------------------------
Wednesday, July 05, 2006
On Stage in Mid Hudson Valley Theaters July 6 -9
Onstage in the Mid Hudson Valley
July 6 - July 9, 2006
Four great choices of plays and musicals to see this weekend on stage in the mid hudson region.
The Music Man
July 6, 7, 8, 13, 14, 15 at 8:00 PM
July 9, 16 at 3:00 PM
Rhinebeck Theatre Society
The Center for Performing Arts in Rhinebeck
Route 308
Rhinebeck, NY
Call: (845) 876-3080
I Hate Hamlet
July 8, 14, 15, 21, 22 at 8:00 PM
July 9, 16, 2006 at 7:00 PMJ
uly 23 at 3:00 PM
Creative Theatre-Muddy Water Players
The Playhouse at Museum Village
Route 17M
Monroe, NY
Call: (845) 294-9465
The Drawer Boy
July 6, 7, 8 at 8:00 PM
July 9 at 2:00 PM
Shadowland Theatre
157 Canal St.
Ellenville
Call: (845) 647-5511
Proof
July 6, 7, 8 at 8:00 PM
July 9 at 2:00 PM
New Paltz Summer Repertory Theatre
Parker Theater
SUNY New Paltz Campus
Call: (845) 257-3880
July 6 - July 9, 2006
Four great choices of plays and musicals to see this weekend on stage in the mid hudson region.
The Music Man
July 6, 7, 8, 13, 14, 15 at 8:00 PM
July 9, 16 at 3:00 PM
Rhinebeck Theatre Society
The Center for Performing Arts in Rhinebeck
Route 308
Rhinebeck, NY
Call: (845) 876-3080
I Hate Hamlet
July 8, 14, 15, 21, 22 at 8:00 PM
July 9, 16, 2006 at 7:00 PMJ
uly 23 at 3:00 PM
Creative Theatre-Muddy Water Players
The Playhouse at Museum Village
Route 17M
Monroe, NY
Call: (845) 294-9465
The Drawer Boy
July 6, 7, 8 at 8:00 PM
July 9 at 2:00 PM
Shadowland Theatre
157 Canal St.
Ellenville
Call: (845) 647-5511
Proof
July 6, 7, 8 at 8:00 PM
July 9 at 2:00 PM
New Paltz Summer Repertory Theatre
Parker Theater
SUNY New Paltz Campus
Call: (845) 257-3880
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